VIK MUNIZ (B. 1961)

VIK MUNIZ (B. 1961)

___________________

Frederick Douglass, Legal Tender, 2024

American Horse, Wasechum Tashunka, Oglala Sioux Chief, Legal Tender, 2024

Amelia Earhart, Legal Tender, 2024

Bald Eagle, Legal Tender, 2024

American Bison, after John James Audubon, Legal Tender, 2024

Harriet Tubman, Legal Tender, 2024

Tulsa, Legal Tender, 2024

Diadorim, Scraps, 2024
Archival inkjet print
53 × 40 in | 134.6 × 101.6 cm

Neurons, Scraps, 2024
Archival inkjet print
40 × 32 in | 101.6 × 81.3 cm

Tree, Scraps, 2024

Victorian Room, Scraps, 2024
Archival inkjet print
51 7/8 × 40 in | 131.8 × 101.6 cm

Gal, Scraps, 2024

Slaughtered Ox, after Rembrandt, Scraps, 2024
Archival inkjet print
55 3/4 × 40 in | 141.6 × 101.6 cm

Gallery (Villa Borghese), Scraps, 2024
Archival inkjet print
40 × 60 1/2 in | 101.6 × 153.7 cm

Tokyo, Scraps, 2024

The Solvay Conference, Scraps, 2024
Archival inkjet print
40 × 56 3/4 in | 101.6 × 144.1 cm

291 Gallery, Scraps, 2024
Archival inkjet print
32 × 40 in | 81.3 × 101.6 cm

Mayra, Scraps, 2024

Horse Head Nebula, Scraps, 2024
Archival inkjet print
65 1/2 × 63 in | 166.4 × 160 cm

Metachrome (Untitled, 1976, after Tomie Ohtake), 2024
Archival inkjet print
63 × 64 3/10 in | 160 × 163.2 cm

Still Life 2, after Giorgio Morandi (Surfaces), 2023
Mixed media
24 × 36 3/5 in | 61 × 93 cm



Still Life (1952), after Giorgio Morandi (Surfaces), 2023
Mixed media
20 × 27 in | 50.8 × 68.6 cm

The Bridge of the Tug Boat, after Fernand Léger (Surfaces), 2023
Mixed media
40 × 54 3/5 in | 101.6 × 138.7 cm

Three Women, after Fernand Léger (Surfaces), 2023
Mixed media
45 × 63 3/10 in | 114.3 × 160.7 cm

Dora Maar with Cat, after Pablo Picasso (Surfaces), 2023
Mixed media
55 1/5 × 40 in | 140.3 × 101.6 cm

Violin and Sheet Music:, 2023
Mixed media
41 9/10 × 30 in | 106.3 × 76.2 cm

The Smokers, after Fernand Léger (Surfaces), 2023
Mixed media
49 1/2 × 36 in | 125.7 × 91.4 cm

The Quarry at Bibémus, after Paul Cézanne (Surfaces), 2023
Mixed media
36 × 45 1/10 in | 91.4 × 114.6 cm

The Lake, after Tarsila do Amaral, 2023
Archival inkjet print
63 × 84 in | 160 × 213.4 cm

Two Nudes, after Jean Metzinger (Surfaces), 2023
Mixed media
52 2/5 × 36 in | 133.1 × 91.4 cm

Hummingbirds, after Ernst Haeckel, Repro, 2023

Surfaces: Glass and Bottle of Suze, after Pablo Picasso, 2023
Mixed media
44 × 35 × 2 1/4 in | 111.8 × 88.9 × 5.7 cm

Surfaces: Seated Woman (Woman with the Body of a Guitar), 
after Diego Rivera,, 2023
Mixed media
50 × 41 × 2 1/4 in | 127 × 104.1 × 5.7 cm

Surfaces: Bottle, Guitar and Pipe, after Pablo Picasso, 2023
Mixed media
44 × 53 × 2 1/4 in | 111.8 × 134.6 × 5.7 cm

Surfaces: The Fruit Bowl, after Gris, 2023
Mixed media
49 × 35 × 2 1/4 in | 124.5 × 88.9 × 5.7 cm

Surfaces: Le Monogramme, after Maria Blanchard, 2023
Mixed media
63 × 35 × 2 1/4 in | 160 × 88.9 × 5.7 cm

Girl before a Mirror, after Pablo Picasso (Surfaces), 2023
Mixed media
64 × 51 3/10 in | 162.6 × 130.2 cm

Christina’s World, after Andrew Wyeth, Repro, 2023

Lady with a Fan, after Gustav Klimt, 2023

Mappa 1983, after Alighiero Boetti (Newsprints), 2023
Archival inkjet print
60 × 87 1/5 in | 152.4 × 221.5 cm

Metachrome (Rhythm, after Robert Delaunay), 2022

Seated Woman in Garden, 2022
Archival inkjet print with collage and cuts
59 1/5 × 44 4/5 × 2 1/5 in | 150.3 × 113.9 × 5.6 cm

Repro: Still life, after Maria Leontina, 2022

MASP (Paulo Afonso Waterfall, after E.F. Schute), 2022
Archival inkjet print
40 × 51 4/5 in | 101.6 × 131.6 cm

Kroller-Muller Museum (Olive Grove, after Van Gogh), Repro, 2022

Bottle of Wine, after Pablo Picasso, Surfaces, 2022
Mixed media
35 × 46 in | 88.9 × 116.8 cm

Harlequin, after Picasso, Surfaces, 2022
Archival inkjet print
85 × 40 3/8 in | 215.9 × 102.6 cm

Woman with Phlox, after Albert Gleizes, 2022
Archival inkjet print with collage and cuts
40 9/10 × 50 9/10 × 2 1/5 in | 103.9 × 129.4 × 5.6 cm

Vicente e Celeste, Scraps, 2021/2024
Archival inkjet print
20 × 30 in | 50.8 × 76.2 cm

Bowl of Fruit, after Pablo Picasso, Surfaces, 2021
Archival inkjet print
50 1/8 × 40 7/8 in | 127.3 × 103.8 cm

Two Flags, after Jasper Johns, Repro
signed and dated 'Vik Muniz 2021' (on a paper label affixed to the reverse)
archival inkjet print flush-mounted on aluminum
40 x 51 ¼ in. (101.6 x 130.2 cm.)Executed in 2021

Surfaces: Woman with a Fan, after Jean Metzinger, 2021
Mixed media
57 1/4 × 41 × 2 1/4 in | 145.4 × 104.1 × 5.7 cm

Violin and Glass, after Juan Gris, Surfaces, 2021
Archival inkjet print
43 1/2 × 36 in | 110.5 × 91.4 cm

Repro: Dahlias, after Leonard Tsuguharu Foujita, 2021
Archival inkjet print
42 4/5 × 40 in | 108.7 × 101.6 cm

View of Rio de Janeiro, after Thomas Ender, Repro, 2021
Archival inkjet print
40 × 60 in | 101.6 × 152.4 cm

Surfaces: Black and White, after Otto Freundlich, 2020
Mixed media
55 3/4 × 43 in | 141.6 × 109.2 cm

THE MAURITSHUIS 
(THE GOLDFINCH, AFTER CAREL FABRITIUS) (REPRO)2020
Archival inkjet print
180.8 x 119.4 cm; (71 1/4 x 47 in.)
Ten Hummingbirds, after Martin Johnson Heade, Repro, 2020

MUSEUM OF MODERN ART 
(THE RED STUDIO, AFTER HENRI MATISSE) (REPRO)2020
Archival inkjet print
101.6 x 123.8 cm; (40 x 48 3/4 in.)

Museum of Modern Art (The Red Studio, after Henri Matisse), Repro, 2020

Magic Kingdom (Postcards from Nowhere), 2020
Archival inkjet print
40 × 60 in | 101.6 × 152.4 cm

Postcards from Nowhere: Salvador, 2020
Archival inkjet print
39 4/5 × 59 2/5 in | 101 × 151 cm

Surfaces: Haru, after Burle Marx, 2020
Mixed media
55 × 59 in | 139.7 × 149.9 cm

Ivy in Flowers, after Matisse, Surfaces, 2020
Mixed media
40 × 40 in | 101.6 × 101.6 cm

Surfaces: Topo, 2020
Mixed media
55 × 40 in | 139.7 × 101.6 cm

Scraps: Nameless (Woman with Turban, after Alberto Henschel), 2020

Egg Beater, after Stuart Davis, Surfaces, 2019
Mixed Media
43 3/4 × 44 in | 111.1 × 111.8 cm

Glares, Handmade, 2019
Inkjet print
40 × 37 1/2 in | 101.6 × 95.3 cm

Still Life on a Table Top, after Kurt Schwitters, Surfaces, 2019
Mixed media
60 × 43 in | 152.4 × 109.2 cm

Chelsea, Handmade, 2019
Mixed media
40 × 60 in | 101.6 × 152.4 cm

GLITCH (HANDMADE)2019
Mixed media
152.4 x 228.6 cm; (60 x 90 in.
Half Mellow Pad, after Stuart Davis, Surfaces, 2019
Mixed Media
47 1/2 × 44 in | 120.7 × 111.8 cm

House with Drying Laundry, after Egon Schiele, Repro, 2019


AFTER BALLA (HANDMADE)2019
Mixed media
76.2 x 55.9 cm; (30 x 22 in.)


Mixed media
160.5 x 123.2 cm; (63 1/4 x 48 1/2 in.)

Mixed media
106.7 x 143 cm; (42 x 56 1/4 in.)

MESSY COLOUR GRID (HANDMADE)2019
Mixed media
94 x 119.4 cm; (37 x 47 in.) 

信箱,香港(手工制作黄色版) 
Letter Rack, Hong Kong(Yellow)(Handmade), 2019
Mixed media
30 × 22 in | 76.2 × 55.9 cm
Frame included

信箱,香港(手工制作棕色版) 
Letter Rack, Hong Kong(Brown)(Handmade), 2019
Mixed media
30 × 22 in | 76.2 × 55.9 cm
Frame included

Letter Rack Hong Kong (Blue) (Handmade), 2019
Mixed media
30 × 22 in | 76.2 × 55.9 cm

Interior, after Milton Avery, 2019
Mixed media
45 3/10 × 59 2/5 × 3 9/10 in | 115 × 151 × 10 cm

Déja Vu, after Milton Avery, 2019
Mixed media
52 2/5 × 45 3/10 × 3 9/10 in | 133 × 115 × 10 cm

MERZBAU ON FIRE (HANDMADE)2019
Mixed media
147.3 x 147.3 cm; (58 x 58 in.)

BRUT (HANDMADE)2019
Mixed media
76.2 x 55.9 cm; (30 x 22 in.)
Centre Pompidou (Rythme, after Sonia Delaunay), Repro, 2019

巴西丛林, 再现鲁根达斯 
Brazilian Jungle, after Rugendas (Repro), 2019
Archival inkjet print
48 4/5 × 40 in | 124 × 101.6 cm

Van Gogh shoes, 2018
C-print
26 3/5 × 19 7/10 in | 67.5 × 50 cm

Big Band, Handmade, 2018
Mixed media
30 × 22 in | 76.2 × 55.9 cm

Fon Fon (For J. Carlos), 2018
Mixed media
30 7/10 × 23 1/5 × 2 in | 78 × 59 × 5 cm

Peeping Tom (Handmade), 2018
Mixed media
30 7/10 × 23 1/5 × 2 in | 78 × 59 × 5 cm

Glyptoteket (Reclining Tahitian Women, Gauguin), 2018
C-print
40 × 65 in | 101.6 × 165.1 cm

National Gallery of Art (The Peppermint Bottle, after Cézanne), Repro, 2018

Repro (Monochromes): Black, 2017
Archival inkjet print
60 × 40 in | 152.4 × 101.6 cm

Repro (Monochromes): White, 2017
Archival inkjet print
60 × 40 in | 152.4 × 101.6 cm

Repro (Monochromes): Green, 2017
Archival inkjet print
60 × 40 in | 152.4 × 101.6 cm

Repro (Monochromes): Blue, 2017
Archival inkjet print
60 × 40 in | 152.4 × 101.6 cm

Repro (Monochromes): Red, 2017
Archival inkjet print
60 × 40 in | 152.4 × 101.6 cm

Repro (Monochromes): Pink, 2017
Archival inkjet print
60 × 40 in | 152.4 × 101.6 cm

Repro (Monochromes): Orange,, 2017
Archival inkjet print
60 × 40 in | 152.4 × 101.6 cm

Temple of Juno in Agrigento, after Caspar David Friedrich (Afterglow), 2017
Digital C-print
71 × 94 2/5 in | 180.3 × 239.8 cm

Repro (Monochromes): Yellow, 2017
Archival inkjet print
60 × 40 in | 152.4 × 101.6 cm

Belvedere Museum (The Kiss after Klimt) (Repro), 2017
Digital C-print
40 7/10 × 40 in | 103.5 × 101.6 cm

FAMILY, AFTER FOUJITA (REPRO), 2017
Digital C-print
130.2 x 101.6 cm; (51 1/4 x 40 in.)


Tears (1XS), Handmade, 2017
Mixed media
50 × 50 in | 127 × 127 cm

Metachrome: Homage to the Square: Glow, a partir de Josef Albers, 2016
Archival pigment print
40 × 40 3/10 in | 101.6 × 102.4 cm

Metachrome: No.3/No.13, after Mark Rothko, 2016
Archival pigment print
83 × 63 in | 210.8 × 160 cm

Metachrome: Fruit and Flowers, after Maurice Prendergast, 2016
Archival pigment print
40 × 46 3/4 in | 101.6 × 118.7 cm

Rouen Cathedral (Monet or the Triumph of Impressionism, Daniel Wildenstein) p. 290. 
The Portal and the Tour D'Albane (Morning Effect), 1893 Series of Repro
signed and dated 'Vik Muniz 2016' (on a paper label affixed to the reverse)
chromogenic print flush-mounted on aluminum
72 x 48 in. (182.9 x 121.9 cm.)
Executed in 2016.

The Glass house, after Robin Hill, from Pictures of Chocolate, 2016
digital chromogenic print
signed in ink and credited, titled, dated and numbered 'AP3/5' 
on affixed artist's label (frame backing board)
image/sheet: 39 1/2 x 58 1/2 in. (100.3 x 148.6 cm.)

Repro: Study for a Portrait of Van Gogh IV, after Francis Bacon, 2016
Archival pigment print
57 3/4 × 40 in | 146.7 × 101.6 cm

Metachrome (Interior with Egyptian Curtain, after Matisse), 2016
Archival pigment print
81 9/10 × 63 in | 208 × 160 cm

Metachrome: Field of Flowers, after Egon Schiele Ed.2/6, 2016
Archival pigment print
85 4/5 × 65 7/10 in | 218 × 167 cm

Metachrome (Flowers, after Odilon Redon I), 2016
Archival pigment print
50 1/2 × 40 in | 128.3 × 101.6 cm

Paper Crane for Japan (Hand Signed and Inscribed to Kevin), 2016
Offset Lithograph (Hand Signed/Inscribed)
24 × 36 in | 61 × 91.4 cm

Repro: Musee d'Orsay (Rochefort's Escape, after Manet), 2016
Digital c-print
45 × 40 in | 114.3 × 101.6 cm

Hermitage Museum (The Goldfish, after Matisse), Repro, 2016
Digital C-Print
111 × 71 in | 281.9 × 180.3 cm

Cairo, Egypt, 2015/2022
Archival pigment print
8 × 10 in | 20.3 × 25.4 cm

Postcards from Nowhere: The Solomon R. Guggenheim Museum, 2015
Digital C print
39 4/5 × 63 in | 101 × 160 cm

Postcards from Nowhere: The Golden Temple, 2015
Archival inkjet print
40 × 60 1/2 in | 101.6 × 153.7 cm

View of Delft (Postcards from Nowhere), 2015

Brooklyn Bridge (Postcards from Nowhere), 2015

Golden Gate Bridge (Postcards from Nowhere), 2015
Digital C-print
71 × 110 in | 180.3 × 279.4 cm

Postcards from Nowhere: Mount Rushmore, 2015
Archival inkjet print
40 × 61 3/4 in | 101.6 × 156.8 cm

Postcards from Nowhere: Taj Mahal, 2015
Archival inkjet print
40 × 53 1/4 in | 101.6 × 135.3 cm

Postcards from Nowhere: Stonehenge, 2015
Archival inkjet print
63 × 88 1/4 in | 160 × 224.2 cm

Eiffel Tower (Postcards from Nowhere), 2015
Digital C-print
101 3/5 × 151 3/5 in | 258.1 × 385.1 cm

Postcards from Nowhere: Saint Basil's Cathedral, 2015
Archival pigment print
40 × 59 1/2 in | 101.6 × 151.1 cm

Suburbia (Album), 2015

Album: Ferris Wheel, 2014
Archival inkjet print
82 × 63 in | 208.3 × 160 cm

Postcards from Nowhere: Rome, 2014
Archival inkjet print
63 × 88 3/4 in | 160 × 225.4 cm

Album: Sonora, 2014
Archival inkjet print
63 × 94 1/2 in | 160 × 240 cm

Waterskiing (Postcards from Nowhere), 2014
Digital C-print
113 × 71 in | 287 × 180.3 cm

Piccadilly Circus (Postcards from Nowhere), 2014
Digital C-print
71 × 96 3/5 in | 180.3 × 245.4 cm

Postcards from Nowhere: Hula Dancer, 2014
Archival inkjet print
88 3/4 × 63 in | 225.4 × 160 cm

Postcards from Nowhere: Fulani Women, 
Mopti, Mali, after Vik Muniz, 2014
Archival inkjet print
40 × 56 1/4 in | 101.6 × 142.9 cm

Dancers, Album, 2014
Digital C-Print
56 3/8 × 40 in | 143.2 × 101.6 cm

Wolf
signed, dated, titled and numbered 'Vik Muniz 2014, Wolf, 15/15' (on label)
chromogenic print
image: 3212 x 2412 in. (82.6 x 62.2 cm.)
sheet: 3458 x 2658 in. (88.1 x 67.8 cm.)
Executed in 2014.

Vik, 2 Years Old, Album, 2014

Flip, 2014
Digital C-print
40 × 55 1/10 in | 101.6 × 140 cm

Album: New Bicycle, 2014
Archival inkjet print
40 × 48 in | 101.6 × 121.9 cm

Album: New Car, 2014
Digital c-print
43 1/2 × 63 in | 110.5 × 160 cm

Over There, Album, 2014

Beach (Postcards from Nowhere), 2014
Digital C-Print
40 × 58 1/2 in | 101.6 × 148.6 cm

Postcards from Nowhere: Great Wall of China, 2014
Archival inkjet print
63 × 94 1/2 in | 160 × 240 cm

Venice (Postcards from Nowhere), 2014
C-print
71 × 112 in | 180.3 × 284.5 cm

Jetliner (from the Postcards from Nowhere series), 2014
Digital print in colours
6 × 6 in | 15.3 × 15.3 cm

Postcards from Nowhere: Jetliner, 2014
Archival inkjet print
63 × 97 3/4 in | 160 × 248.3 cm

Postcards from Nowhere: West Palm Beach, 2014
Archival inkjet print
95 × 63 in | 241.3 × 160 cm

Hollywood (Postcards from Nowhere), 2014

Postcards from Nowhere: Shanghai, 2014
Archival inkjet print
40 × 56 1/4 in | 101.6 × 142.9 cm

Flowers and Fruit, after Pierre-Auguste Renoir, 2013
Digital C-print
86 2/5 × 71 in | 219.5 × 180.3 cm

Monkeys as art critics, after Gabriel Cornelius von Max, 2013
Archival inkjet print
63 × 80 1/2 in | 160 × 204.5 cm

Rio de Janeiro Postcard from the series Postcards From Nowhere
signed and dated 'Vik Muniz 2013' (on a label affixed to the verso)
digital c-print
71 x 94 1/2 in. (180.3 x 240 cm.)
Executed in 2013.

Nymphéas, after Claude Monet (diptych), 2013
Digital C-print
40 × 117 in | 101.6 × 297.2 cm

The Stone Breakers, 
after Gustave Courbet (Pictures of Magazines 2), 2013

Man and Puppet, after Edgar Degas, 2013
C-print
105 1/2 × 70 1/5 in | 268 × 178.3 cm

Seaward Skerries, after Anders Zorn (Pictures of Wire), 2013
Archival ink jet print
16 × 20 in | 40.6 × 50.8 cm

Seated black woman, after Felix Vallaton, 2013
Digital C-Print
90 3/5 × 70 9/10 in | 230 × 180 cm

Metaphysical Interior with large factory, 2013
Digital C-Print
30 × 24 in | 76.2 × 61 cm

Woman I, After de Kooning (Pictures of Magazines 2), 2013
Digital chromogenic print
92 1/2 × 71 in | 235 × 180.3 cm

Portrait of the Artist Surrounded by Masks, 
after James Ensor (Pictures of Magazines 2), 2013

Rib of Beef, after Gustave Caillebotte, 2013
Digital C-print
71 × 104 in | 180.3 × 264.2 cm

Candle, after Richter (Pictures of Magazines 2), 2013
Digital C-Print
71 1/2 × 71 in | 181.6 × 180.3 cm

Obama (from the series 'Pictures of Magazine 2'), 2012
Digital C-print
92 × 71 1/2 in | 233.7 × 181.6 cm

The Card Players, after Cezanne, 2012
Archival inkjet print
40 × 47 1/5 in | 101.6 × 120 cm

Pictures of Magazine 2: Sunbeams, after Vilhelm Hammershoi, 2012
Digital c-print
50 1/2 × 43 1/2 in | 128.3 × 110.5 cm

Plum Blossom Viewing at Night, after Harunobu 
signed and dated 'Vik Muniz 2012' (on a paper label affixed to the reverse)
digital C-print 
61½ x 39½ in. (156.2 x 100.3 cm.) 
Executed in 2012. 

A Bar at the Folies Bergère, after Edouard Manet,
from Pictures of Magazines 2, 2012
Chromogenic print.
75 3/5 × 101 3/5 in | 192.1 × 258.1 cm

The White Iris After Edward Weston, 2012
Digital pigment print
5 1/2 × 4 3/8 in | 14 × 11.1 cm

Flowers, after Warhol (9), 2012
Digital C-Print
36 × 36 in | 91.4 × 91.4 cm

Starry Night, after Van Gogh from Pictures of Magazines 2, 2012
Chromogenic print
74 1/2 × 92 4/5 in | 189.2 × 235.6 cm

Picking Flowers in a Field, After Mary Cassatt (Pictures Of Magazines 2)
signed and dated 'Vik Muniz 2012' (on a label affixed to the reverse)
digital C-print mounted on aluminium
71 x 96in. (180.3 x 243.8cm.)
Executed in 2012

Washington Crossing the Delaware, after Emanuel Leutze (Pictures of Magazines 2)
signed and dated 'Vik Muniz 2012' (on a label affixed to the reverse)
chromogenic print flush-mounted on aluminum
60 x 108 3⁄8 in. (152.4 x 275.3 cm.)
Executed in 2012.

White Flag, after Jasper Johns (Pictures of Magazines 2), 2012
Digital C-Print
40 × 59 1/8 in | 101.6 × 150.2 cm

Crane, 2012
Digital C-print
40 × 50 in | 101.6 × 127 cm

The Creation of Adam, After Michelangelo, 2011
Two Chromogenic Prints
107 1/2 × 70 7/8 in | 273.1 × 180 cm

Siesta, after Bonnard, 2011
Digital C-print
71 × 85 in | 180.3 × 215.9 cm

New York City, after George Bellows (Pictures of Magazines 2)
signed and dated 'Vik Muniz 2011' (on a label affixed to the verso)
digital c-print
71 x 105 1/2 in. (180.3 x 267.9 cm.)
Executed in 2011.

The Absinthe Drinker, after Edgar Degas, from Pictures of Magazines 2, 2011
chromogenic print, flush-mounted on aluminum
signed and dated in ink with typed credit, title, date and number on affixed gallery label (flush mount, verso)
image/sheet/flush mount: 54 x 40 in. (137.2 x 101.6 cm.)

Wheat Field with Cypresses,
after Van Gogh from Pictures of Magazines 2, 2011
digital chromogenic print
signed in ink with typed title, date and 
number 'AP 1/4' on affixed gallery label (frame backing board)
image/sheet: 39 ½ x 49 in. (104 x 124.4 cm.)

Wanderer Above the Sea of Media, 
after Caspar David Friedrich (Pictures of Magazines 2), 2011
Digital C-Print
91 × 71 in | 231.1 × 180.3 cm

La Bacchante, after Gustave Courbet 
(Pictures of Magazines 2), 2011
Sheet: 40 by 48 7/8 in. (101.6 by 124.1 cm.)

Floor Scrapers, after Gustave Caillebotte from Pictures of Magazines 2, 2011
Digital Chromogenic Print
71 × 102 1/2 in | 180.3 × 260.4 cm

Green Monkey, after George Stubbs from Pictures of Magazines 2, 2011
Chromogenic print, flush-mounted
47 1/2 × 40 in | 120.7 × 101.6 cm

The Sower, after Van Gogh, 2011
Digital C-print
93 1/2 × 71 × 3 1/10 in | 237.5 × 180.3 × 8 cm

The Great Turf, after Durer, 2010
Digital Silver Print (Silver Gelatin LE)
53 7/10 × 40 in | 136.4 × 101.6 cm

Odalisque, after Gustave le Gray (from ‘Rebus'), 2010
Mounted digital chromogenic print
39 3/4 × 50 1/2 in | 101 × 128.3 cm

Northeaster, after Winslow Homer (Pictures of Paper), 2010
Digital C Print
71 × 104 3/5 in | 180.3 × 265.7 cm

Bullfinch and Sweeping Cherry, 
from Small Flowers, after Hokusai from the series Pictures of Paper
signed, titled, dated, and numbered ' Vik Muniz, Bullfinch and Sweeping Cherry, 
from Small Flowers, after Hokusai, 2010, 15/20' (on label on the reverse)
digital C-print mounted on metal
27¼ x 20 in. (69.2 x 51 cm.)
Executed in 2010.

White Brazilian Orchid, after Martin Johnson Heade (Pictures of Paper), 2010
Digital C-print
120 × 71 × 3 1/10 in | 304.8 × 180.3 × 8 cm

The Tree (Pictures of Junk), 2009
Digital C-print
89 × 71 in | 226.1 × 180.3 cm

Medusa, after Caravaggio (Pictures of Junk), 2009
Digital C-Print
49 5/8 × 40 in | 126 × 101.6 cm

Fallingwater (Edgar J. Kaufmann Sr. Residence) (Pictures of Chocolate)
signed and dated 'Vik Muniz 2009' (on a paper label affixed to the backing board)
chromogenic print
35 5/8 x 29¾ in. (90.4 x 75.5 cm.)
Executed in 2009.

Mappa del Mondo, after Alighiero Boetti (from Pictures of Pigment)
chromogenic print mounted on aluminium
70½ x 95 3/8in. (179 x 242.5cm.)
Executed in 2009,

FUJI FROM THE SEA OF SATTA, GULF OF SURUGA, NUMBER 23, 
AFTER HIROSHIGE (PICTURES OF PAPER), 2009
Digital C print
155.7 x 101.6 cm; (61 1/4 x 40 in.)

Amore and Psyche, after Francois Gerard, from 'Pictures of Junk', 2009 
chromogenic print, flush-mounted on aluminum 
signed, dated in ink, typed title, date and number 'AP 2/4' on an artist label affixed (on the reverse of the flush-mount); one from the edition of 6 plus 4 artist's proofs
image/flush-mount: 89 x 70¼in. (226 x 178.4cm.)

Les Demoiselles d'Avignon, after Pablo Picasso (Gordian Puzzles), 2009
Digital C-print
74 × 71 3/10 in | 188 × 181.1 cm

Guernica after Pablo Picasso (Gordian Puzzles)
signed and dated 'Vik Muniz 2009' (on a paper label affixed to the reverse)
chromogenic print
52 ½ x 117 5/8 in. (133.4 x 298.8 cm.)
Executed in 2009. 


Diana (Gordian Puzzles)
signed and dated 'Vik Muniz 2008' (on a label affixed to the verso)
digital chromogenic print
55 x 40 in. (140.5 x 101.6 cm.)
Executed in 2008.

The Bearer (Irma), from Pictures of Garbage, 2008
digital chromogenic print, flush–mounted on board
signed and dated in ink and credited, titled, dated and numbered '1/3' 
on affixed gallery label (flush mount, verso)
image/sheet: 52 x 40 in. (132.1 x 101.6 cm.)

Red, Orange, Orange on Red, After Mark Rothko (Pictures of Pigment) 
signed `Vik Muniz 2008' (on a paper label affixed to the reverse) 
c-print 
74 x 70 in. (188 x 180 cm.) 
Executed in 2008. 

The Sower (Zumbi) from Pictures of Garbage, 2008
Digital C-Print
53 1/2 × 41 7/10 in | 136 × 106 cm




WWW (World Map), Pictures of Junk
signed and dated 'Vik Muniz 2008' (on a paper label affixed to the backing board)

triptych—chromogenic print in artist's frame
each: 104 ¼ x 71 in. (264.8 x 180.3 cm.)
overall: 104 ¼ x 213 in. (264.8 x 541 cm.)
Executed in 2008

Pictures of Paper: Master Shoemaker, after August Sander, 2008
Silver gelatin
65 1/8 × 51 3/8 in | 165.4 × 130.5 cm

Couple Central Park Zoo, after Garry Winogrand (Pictures of Paper), 2008
Digital Silver Print (Silver Gelatin LE)
49 3/5 × 72 4/5 × 2 in | 126 × 185 × 5 cm

Burning Standard, After Ed Ruscha (Pictures of Cars)
signed and dated ‘Vik Muniz 2008’ (on a paper label affixed to the reverse)
digital chromogenic print
50 ½ x 95 in. (128.2 x 241.3 cm.)
Executed in 2008.

Standard Station, after Ed Ruscha (from Pictures of Cars)
signed and dated 'Vik Muniz 2008' (on a paper label affixed to the reverse)
chromogenic print flush-mounted on aluminum, in artist's frame
51 x 95 in. (129.5 x 241.3 cm.)
Executed in 2008

After Ruscha (from Pictures of Cars), 2008
Digital C-print
36 × 72 in | 91.44 × 182.88 cm

Grind, after Peter Halley (Pictures of Pigment), 2008
Archival inkjet print
78 1/5 × 63 in | 198.6 × 160 cm

Pictures of Paper: Heat Spell, after Weegee, 2008
Gelatin-Silver Print
64 1/2 × 51 1/4 in | 163.8 × 130.2 cm

Newsboy, After Lewis Hine, 2008
C-print
50 × 40 in | 127 × 101.6 cm

Conceito Espacial, Attese, A partir de Lucio Fontana, 2008
Chromogenic printing
85 × 70 9/10 in | 216 × 180 cm

Pictures of Paper: Untitled, after Hein Gorny, 2008
Silver gelatin print
68 3/4 × 51 1/2 in | 174.6 × 130.8 cm

The Face of the Moon, after John Russell, 
from Pictures of Pigment, 2007
Chromogenic print
59 × 40 in | 149.9 × 101.6 cm

Flag, after Jasper Johns, from Pictures of Pigment, 2007
chromogenic print
signed and dated in ink with typed credit, title, date and number 
on affixed gallery label (frame backing board)
image/sheet/flush mount: 40 x 58 in. (101.6 x 147.3 cm.)

Olive Trees with Yellow Sky, After Vincent Van Gogh (Pictures of Pigment)
signed and dated 'Vik Muniz 2007' (on a paper label affixed to the reverse)
chromogenic print 
74¾ x 93¾ in. (189.8 x 238.1 cm.) 
Executed in 2007.

Demon, after M. Vrubel, 2007
Chromogenic print mounted on aluminum
66 1/10 × 119 3/10 in | 168 × 303 cm

The Dream, after Picasso (Pictures of Pigment)
signed and dated 'Vik Muniz 2007' (on a paper label affixed to the backing board)
digital color coupler print
52½ x 39 3/8 in. (133.3 x 100 cm.)
Executed in 2007

The Night Fire, after Goya (Pictures of Pigment), 2007
Chromogenic print
53 3/10 × 40 in | 135.4 × 101.6 cm

Townscape Madrid, 
after Gerhardt Richter from Pictures of Pigment, 2007
Chromogenic print, flush-mounted.
68 × 73 in | 172.7 × 185.4 cm

Spatial Concept, Expectations, after Lucio Fontana (Pictures of Pigment), 2007
tirage c-print, monté sur aluminium
un certificat d'authenticité accompagne l'oeuvre
image/feuille/montage : 180 x 180 cm. (70 7⁄8 x 70 7⁄8 in.)

Gallery of Views of Ancient Rome, after Giovanni Paolo Panini (Gordian Puzzles), 2007
Digital C-print
70 9/10 × 99 3/10 × 3 1/10 in | 180 × 252.1 × 8 cm

(Brazilian American, B. 1961)
Pictures of Junk: Hercules and Omphale (Detail), 
after Francois Lemoyne chromogenic print
124.5 x 101.6 cm. (49 x 40 in. )
This work is number two from an edition of six plus four artist's proofs.
Executed in 2007

Weeping Woman, after Picasso (Pictures of Pigment) 
signed and dated 'Vik Muniz 2007' (on the Galerie Xippas label on the verso)
Chromogenic print 
50½ x 40 in. (128.3 x 101.6 cm.) 
Executed in 2007.

Dora Maar, After Picasso (Pictures Pigment) 
signed and dated ‘Vik Muniz 2007’ (on a label affixed to the reverse)
Cibachrome print mounted on aluminum
57.5/8 x 40.1/8in. (146.5 x 102cm.)
Executed in 2007

Bust of a Woman, after Picasso (Pictures of Pigment)
signed and dated 'Vik Muniz 2007' (on a paper label affixed to the backing board)
chromogenic print
84 3/4 x 71 in. (215.3 x 180.3 cm.)
Executed in 2007

Jacqueline, after Picasso (Pictures of Pigment) 
signed and dated 'Vik Muniz 2007' (on a paper label affixed to the backing board)
c-print 
89 x 69 in. (226 x 175.2 cm.) 
Executed in 2007

Woman with Fan, after Picasso (Pictures of Pigment)
signed and dated 'Vik Muniz 2007' (on artist's label on the verso)
chromogenic print 
105½ x 70 in. (268 x 177.8 cm.) 
Executed in 2007. 

Olga, after Picasso (Pictures of Pigment) 
signed and dated 'Vik Muniz 2007' (on Galerie Xippas label on the verso)
chromogenic print 
61 3/8 x 40 in. (155.9 x 101.6 cm.) 
Executed in 2007.

Portrait of a Boy in Painted Shirt, after Ilya Mashkov, 2007
signé et daté à l'encre sur une étiquette de l'artiste (dos du cadre)
édition AP 2/4
tirage chromogénique monté sur aluminium
image/feuille/montage 243 x 184 cm. (95 5/8 x 72 ½ in.)

THE TOWER OF BABEL , 
AFTER PIETER BRUEGEL (GORDIAN PUZZLE), 2007
C-PRINT
39 1/2 × 53 in | 100.3 × 134.6 cm

Old Suckers, after Rodchenko, 2007 
chromogenic print, flush-mounted on aluminum 
signed, dated in ink, typed title, date and number '4/6' on an artist label affixed 
(on the reverse of the flush-mount); one from the edition of 6 plus 4 artist's proofs
image/flush-mount: 104½ x 70in. (265.4 x 177.8cm.);

Diana and Endymion (Detail), after Francesco Mola (Pictures of Junk)
signed and dated 'Vik Muniz 2007' (on a paper label affixed to the backing board)
chromogenic print
9012 x 7112 in. (229.9 x 181.6 cm.)
Executed in 2007

Atlas, after Giovanni Francesco Barbieri (Il Guercino) (Pictures of Junk)
signed and dated 'Vik Muniz 2007' (on a paper label affixed to the reverse)
chromogenic print
50 x 40 in. (127 x 101.6 cm.)
Executed in 2007.

Pictures of Pigment: The Icebergs, after Frederic E. Church, 2007
Chromogenic print
71 5/8 × 122 5/8 in | 181.9 × 311.5 cm

Supremus No. 56, after Kasimir Malevich, 2006-2007 
chromogenic print, flush-mounted on aluminum, artist's frame 
signed in ink on an artist's label affixed (on the reverse of the flush-mount); 
one from an edition of 6
image/flush-mount: 79¼ x 71in. (201.2 x 180.3cm.) 

Otahi (Alone) After Paul Gaugin, From Pictures of Pigment, 2006
C-print
66 9/10 × 102 in | 170 × 259 cm

Montagne Sainte Victoire, Seen From Montbriand, 
After Cezanne, 2006
Chromogenic print
20 × 24 3/8 in | 50.8 × 61.9 cm

Day of the Gods (Mahana no Atua), 
after Gauguin (from Pictures of Pigment), 2006
Chromogenic print
71 × 92 in | 180.3 × 233.7 cm

Medea about to kill her Children, after Eugène Delacroix (from Pictures of Junk), 2006
chromogenic print, flush-mounted on aluminum
signed, titled, dated, and numbered on artist's label (verso); 
credited, titled and dated on affixed museum label (frame backing board)
image/sheet: 52 1/2 x 39 1/2 in. (133.3 x 100.3 cm.)
overall framed: 56 x 43 in. (142.2 x 109.2 cm.)

Vulcan Forges Cupid's Arrows, after Alessandro Tiarini (Pictures of Junk)
signed and dated 'Vik Muniz 2006' (on a paper label affixed to the backing board)
chromogenic print in artist's frame
5014 x 4312 in. (127.6 x 110.5 cm.)
Executed in 2006. 

Prometheo, After Titian (from Pictures of Junk)
signed and dated 'Vik Muniz 2006' (on a paper label affixed to the reverse)
digital chromogenic print
4634 x 40 in. (118.7 x 101.6 cm.)
Executed in 2006.

Orestes Pursued by the Furies, 
after Adolphe William Bouguereau (from Pictures of Junk), 2006
chromogenic print, flush-mounted on board
signed and dated in ink, credited, titled, 
dated and numbered '6/6' on affixed gallery label (frame backing board)
image/sheet/flush mount: 50 x 40 in. (127 x 101.6 cm.)

La Japonaise, after Claude Monet (Pictures of Pigment)
signed and dated 'Vik Muniz 2006' (on a paper label affixed to the reverse)
chromogenic print
64 x 40 in. (162.5 x 101.6 cm.)
Executed in 2006. 

New York Movie, after Edward Hopper from Pictures of Pigment, 2006
Chromogenic print, flush-mounted.
70 1/5 × 87 4/5 in | 178.4 × 222.9 cm

Sunset, after Emil Nolde (de la série Pictures of Pigment), 2006

Young Girl Sewing, After Vilhem Hammershoi
signed and dated 'Vik Muniz 2006' (on a paper label affixed to the backing board)
chromogenic print flush-mounted on aluminum
43 ⅛ x 40 in. (109.5 x 101.6 cm.)
Executed in 2006


Odalisque with a Turkish Chair, after Henri Matisse (from Pictures of Pigment)
chromogenic print
71 by 85 in. , 180 by 216 cm
Executed in 2006.


Butterflies, After Odilon Redon (Pictures of Pigment), 2006
Sheet: 50 by 40 in. (127 by 101.6 cm.); 
Executed in 2006


Decorative Figure on an Ornmanetal Background, after Matisse (Pictures of Pigment)
signed 'Vik Muniz 2006' (on artist's label on the verso)
chromogenic print 
50 x 40 in. (127 x 101.6 cm.) 
Executed in 2006. 

The Scream, after Edvard Munch (Pictures of Pigment), 2006
C-print
90 × 70 1/5 in | 228.5 × 178.4 cm

Male (Itabira, iron mine), 2005
Gelatin silver print
18 1/4 × 22 3/4 in | 46.4 × 57.8 cm

Nasturtiums, After Fantin Latour, 2005
chromogenic print, in artist's chosen frame
Framed: 63 3/4 by 43 3/4 in. (161.9 by 111.1 cm.)

Self Portrait (Fall no. 2), 2005
C-print
57 × 48 in | 144.8 × 121.9 cm

Flowers in a Blue and White Vase, After Chardin
signed and dated 'Vik Muniz 2005'(on a paper label affixed to the reverse)
Chromogenic print
50 x 40 in. (127 x 101.6 cm.)
Executed in 2005. 

The Poppy Field at Argenteuil, after Claude Monet (Pictures of Pigment) 
signed and dated 'Vik Muniz 2005' (on a paper label affixed to the backing board)
color coupler print 
73¾ x 96¾ in. (187.3 x 245.7 cm.) 
Executed in 2005

Atalanta and Hippomenes, after Guido Reni (diptych) (Pictures of Junk), 2005
Chromogenic prints
92 9/10 × 141 7/10 × 3 1/10 in | 236 × 360 × 8 cm

Saturn devouring one of his sons, 
after Francisco de Goya y Lucientes, 2005
Digital C-Print
50 4/5 × 39 4/5 × 2/5 in | 129 × 101 × 1 cm

Sisyphus, after Tiziano (from Pictures of Junk)
signed and dated 'Vik Muniz 2005' (on a paper label affixed to the reverse)
digital chromogenic print
51 x 40 in. (129.5 x 101.6 cm.)
Executed in 2005

Waterlilies, After Monet (Pictures of Magazines)
signed and dated 'Vik Muniz 2005' 
(on paper label affixed to the reverse of the first element)
triptych--digital chromogenic prints
each: 55 1/2 x 114 1/2 in. (140.9 x 290.8 cm.)
Executed in 2005.

Self Portrait (Fall) 
signed and dated 'Vik Muniz 2005' (on a paper label affixed to the backing board)
c-print 
60 x 48 in. (152.5 x 122 cm.) 
Executed in 2005.

After Claude Monet, Rouen Cathedral Façade, 
Morning Effect, from Pictures of Pigment
signed and dated 'Vik Muniz 2005' (on label affixed to the verso)
chromogenic print 
101 x 70.8 in. (256.5 x 180 cm.) 
Executed in 2005. 

Almond Blossoms 
signed and dated 'Vik Muniz 2005' (on a paper label affixed to the backing board)
chromogenic print 
71½ x 90 in. (181.6 x 228.6 cm.) 
Executed in 2005.

Audrey Hepburn (from Pictures of Diamonds), 2005
tirage chromogénique monté sur aluminium
145 x 121 cm. (57 1/8 x 47 5/8 in.)

Pastorales Tahitiennes, after Paul Gauguin, from Pictures of Pigment, 2005
chromogenic print, flush-mounted on aluminum
signed and dated with typed title, date and number '3/6' on affixed gallery label (flush mount, verso); credited, titled, dated and numbered on affixed gallery label (frame backing board)
image/sheet: 70 x 90 3/4 in. (177.8 x 230.5 cm.)

Harmony in Red, After Matisse
(Pictures of Pigment)
signed and dated 'Vik Muniz 2005' (on gallery label on the verso) 
Chromogenic print mounted on aluminum 
71½ x 90 in. (181.6 x 228.6 cm.) 
Executed in 2005. 

Cupid, After Caravaggio (Rebus Series_
signed and dated 'Vik Muniz 2005' (on paper label affixed to the reverse)
chromogenic print
overall: 54 1/8 x 43 in. (138 x 109 cm.)
Executed in 2005.

The Cottingley Fairies (from Rebus series), 2004
signé et daté ‘Muniz 2004’ (sur une étiquette du studio de l’artiste fixée au dos)
tirage chromogénique monté sur aluminium
189.5 x 253 x 6 cm. (74 5/8 x 99 5/8 x 2 3/8 in.)
Réalisée en 2004

Don Quixote in His Study, after William Lake Price c. 1890 
signed and dated 'Vik Muniz 2004' (on a paper label affixed to the backing board)
Chromogenic print 
90 x 72 in. (228.6 x 182.9 cm.) 
Executed in 2004.

Still Life with Fruit and Vegetables, after Juan Sanchez Cotan 
(from Pictures of Magazines) , 2/4 AP
signed and dated 2004 on the reverse
chromogenic print
40 by 55 1/4 in. , 101.6 by 140.33 cm

Seville Orange, Silver Goblet, Pear, 
and Two Bottles After Chardin (From Pictures of Magazines)
signed and dated 2004 on label affixed to backing board
cibachrome VM-4360 print
40 by 51 1/2 in. , 101.6 by 130.8 cm

Water Lilies, after Monet
signed and dated 'Vik Muniz 2004' (on a label affixed to the reverse)
c-print, in artist's frame
7712 x 7514in. (197 x 191.3cm.)
Executed in 2004

Maria Callas (from the Diamond series)
signed and dated 'Vik Muniz 2004' (on a paper label
affixed to the reverse)
Cibachrome print mounted on aluminium
39 3/8 x 31½in. (100 x 80cm.)
Executed in 2004

Marilyn Monroe (Pictures of Diamonds)
signed and dated 'Vik Muniz 2004' (on a label affixed to the reverse)
chromogenic print mounted on Sintra57 5/8 x 48in. (146.4 x 121.9cm.)

Executed in 2004,

Rosie the Riveter (Pictures of Diamonds)
signed and dated 'Vik Muniz 2004' (on a label affixed to the reverse)
chromogenic print on Ilfochrome in artist's frame
60 x 48in. (152.4 x 121.9cm.)
Executed in 2004,

Irises, after Van Gogh (Pictures of Magazines)
signed and dated 'Vik Muniz 2004' (on a paper label affixed to the reverse)
chromogenic print
95½ x 72 in. (242.5 x 182.8 cm.)
Executed in 2004

Alexander the Great (from Pictures of Chocolate) 
signed and dated 'Vik Muniz 2003' 
Cibacrome print 
40½ x 32½ in. (102.9 x 82.6 cm.) 
Executed in 2003.

Self-Portrait (from Pictures of Magazines)
signed, dated and numbered 'Vik Muniz, 2003, 5/6' (on label on verso)
chromogenic print
95 1/2 x 71 in. (242.6 x 180.3 cm.)
Executed in 2003. 

Self Portrait, Back of Head (from Pictures of Magazines) 
signed and dated 'Vik Muniz 2003' (on a paper label affixed to the reverse)
chromogenic print 
100 x 72 in. (254 x 182.8 cm.) 
Executed in 2003.

Edson (Pele) from Pictures of Magazines, 2003
Chromogenic print
49 × 39 in | 124.5 × 99.1 cm

Self-Portrait, (I am too sad to tell you), after Bas Jan Ader, (from 'Rebus'), 2003
tirage dye-destruction, monté
signé et daté à l'encre sur une étiquette et un certificat du photographe portant le numéro d'édition 3⁄6' (dos du cadre)
image/feuille/montage : 177,5 x 222,5 cm. (69 7⁄8 x 87 5⁄8 in.)

Horse (from the Monad series) 
signed and dated 'Vik Muniz 2003' (on a paper label affixed to the backing board)
Cibachrome print
50 ¼ x 40 in. (127.6 x 101.6 cm.)
Executed in 2003

White Rose (from the Monad Series)
chromogenic print flush mounted on Dibond, in artist's frame
7458 x 9334in. (189.6 x 238.1cm.)
Executed in 2003,


Toy Soldier (From Monads)
signed and dated 2003 on label affixed to the reverse
chromogenic print
89 1/4 by 71 in. ,227 by 182 cm

Scissors (The Sarzedo Drawings) 
gelatin silver print 
41¼ x 51¾ in. (104.7 x 131.4 cm.) 
Executed in 2002


Prison VII, the Drawbridge (after Piranesi)
signed and dated 2002 on label affixed to reverse
cibachrome print
40 by 30 in. , 101.6 by 76.2 cm

Jorge (from the series 'Pictures of Magazines'), 2001
Chromogenic print
49 4/5 × 39 9/10 in | 126.4 × 101.3 cm

After Mark Rothko (Pictures of Color), 2001
Cibachrome print, flush-mounted on aluminum
signed, titled, dated and numbered on gallery label (flush mount, verso)
image: 66 1/2 x 48 1/2 in. (168.9 x 123.1 cm.)
overall framed: 69 1/2 x 51 1/2 x 2 in. (176.5 x 130.8 x 5 cm.)

After Yves Klein (Pictures of Color)
signed and dated 'Vik Muniz 2001' (on a paper label affixed to the reverse)
chromogenic print
90 1/4 x 74 7/8 in. (229.2 x 188.3 cm.)
Executed in 2001.

Marilyn de Sangue (Bloody Marilyn)
signed 'Vik Muniz' (on a paper label affixed to the backing board)
chromogenic print on Ilfochrome in artist's frame
40 ¼ x 34 5/8in. (102 x 88cm.) 
Executed in 2001,

After Van Gogh (Pictures of Color) 
signed and dated 'Vik Muniz 2001' (on a paper label affixed to the backing board)
color coupler print 
60 x 45 in. (152.4 x 114.3 cm.) 
Executed in 2001. This work is artist'

Chuck (Pictures of Color) 
chromogenic print 
89 1/8 x 70¼ in. (226.3 x 178.4 cm.) 
Executed in 2001.

After Richard Serra, Prop, 1968, 
Installed at the Whitney Museum in "Contemporary American Sculpture: Selection 2," 
April 4-May 5, 1969 (Pictures of Dust)
signed and dated 'Vik Muniz 2000' (on a label affixed to the reverse)
chromogenic print mounted on sintra
68 x 48 in. (172.7 x 121.9 cm.)
Executed in 2000.


Pictures of Dust (Donald Judd, Untitled, 1965 and Richard Serra, left corner rectangles, 1979)
signed, titled, numbered and dated twice 'Pictures of Dust AP 5/5 2000 
Pictures of Dust.Vik Muniz 2000' (on a paper label affixed to the reverse)
cibachrome print 
54 x 51 in. (137.1 x 129.5 cm.)
Executed in 2000.

Still After Cindy Sherman (from the Pictures of Ink Series) 
signed, titled, numbered and dated '"Still" After Cindy Sherman Vik Muniz 2000'
(on a paper laber affixed to the reverse)
Cibachrome print 
48 x 59in. (122 x 152cm.) 
Executed in 2000, 


Pantheon, Buster Keaton (Pictures of Ink) 
signed, titled, numbered and dated 'Buster Keaton AP 3/4 V Muniz 2000' 
(on a paper label affixed to the reverse)
Cibachrome 
40 x 30 in. (101.6 x 76.2 cm.) 
Executed in 2000. 

Muhammad Ali (Cassius) (From Pictures of Chocolate)
signed and dated 'Vik Muniz 2000' (on a paper label affixed to the reverse)
Cibachrome print
63 ¾ x 51 ¼ in. (160.6 x 130.1 cm.)
Executed in 2000

The Kiss (From Pictures of Chocolate) 
Cibachrome print flush-mounted to aluminium 
52½ x 34in. (133.4 x 86.3cm.) 
Executed in 1999

Self Portrait After Warhol, 1999
Chromogenic ­print
40 × 32 in | 101.6 × 81.3 cm

Aftermath (Madalena) - from the project Children of Brazil, 1999
Cibachrome print
84 3/5 × 47 3/5 in | 215 × 121 cm

Youth (Gaspar), 1999
Photogravure
15 × 13 1/2 in | 38.1 × 34.3 cm

Wanderer Above the Sea of Ashes, after Caspar David Friedrich
Cibachrome print
40 x 30 in. (101.6 x 76.2 cm.)
Executed in 1999.

Angélica (from Aftermath)
signed, dated 98 and numbered AP 2/5 on label affixed to the reverse
chromogenic print
40 by 32 in. ,101.5 by 81.3 cm

Action Painter (From the Chocolate Series)
Cibachrome print
35¼ x 28 7/8 in. (89.5 x 73.3 cm.)
Executed in 1998.

La Dolce Vita, from the Pictures of Chocolate Series
signed, titled, numbered and dated '"La Dolce Vita" Vik Muniz 1998 #3/3' 

(on a paper label affixed to the reverse)
chromogenic print mounted on board
40 x 30 in. (101.6 x 76.2 cm.)
Executed in 1998

Action Painting III (After Hans Namuth) from Pictures in Chocolate, 1997
Cibachrome print
credited, titled, dated and numbered '1⁄3' on affixed gallery label (frame backing board)
overall framed: 49 x 61 ½ in. (124.4 x 156.2 cm.)

Babe (from Pictures of Chocolate), 1998
two Cibachrome prints
credited, titled, dated and numbered on affixed gallery label (frame backing board)
each overall framed: 60 x 48 in. (152.4 x 121.9 cm.)

Milk Drop, 1997
Cibachrome print
25 1/2 × 20 1/4 in | 64.8 × 51.4 cm

Aparecida (from Pictures of Aftermath)
signed, titled, numbered and dated 'Aperecida Vik Muniz 1998 6/10' 
(on a paper label affixed to the reverse)
chromogenic print
60 x 48 in. (152.4 x 121.9 cm.)
Executed in 1998

Self Portrait (Picture of Soil) 
signed, titled, numbered and dated 'Vik 1998 Pictures of Soil 8/10' (on the reverse)
Cibachrome print 
23 7/8 x 20 1/8 in. (60.6 x 51.1 cm.) 
Executed in 1997.

Eleven Eggs, 1997
Sheet: 20 by 24 in. (50.8 by 61 cm.)

Hands (from Pictures of Dirt), 1997
gelatin silver print
signed, titled, dated and numbered '6/10' in pencil (verso)
image: 22 7/8 x 19 in. (58.1 x 48.2 cm.)
sheet: 24 x 20 in. (60.9 x 50.8 cm.)

Laughter (Girl with skull), After Frantisek Drtikol, 1997
Silver print, signed and numbered '1/25' in ink on a printed label on reverse of frame

The Sugar Children: Valentina, the Fastest; Jacynthe Loves Orange Juice; Big James Sweats Buckets; Lil' Calist Can't Swim; Valicia Bathes in Sunday Clothes; Ten Ten's Weed Necklace
signed, titled, numbered and dated 'Valentina, the Fastest The Sugar Children Vik Muniz 1996 8/10' (on the reverse of the first element); signed, titled, numbered and dated 'Jacynthe loves orange juice The Sugar Children Vik Muniz 1996 8/10' (on the reverse of the second element); signed, titled, numbered and dated 'Big James Sweats buckets The Sugar Children Vik Muniz 1996 8/10' (on the reverse of the third element); signed, titled, numbered and dated 'Lil' Calist Can't Swim The Sugar Children Vik Muniz 1996 8/10' (on the reverse of the fourth element); signed, titled, numbered and dated 'Valicia bathes in Sunday Clothes The Sugar Children Vik Muniz 1996 8/10' (on the reverse of the fifth element); signed, titled, numbered and dated 'ten ten The Sugar Children Vik Muniz 1996 8/10' (on the reverse of the sixth element)
six elements--gelatin silver print
each: 14 x 11 in. (35.6 x 28 cm.)
Executed in 1996.

Viewing from Krakatoa Mt. Rakata Pulau, Indonesia - Longitude: 105° 00’06” Latitude: 05° 12’00” - 08/27/1993 - 7:00PM (Local) - Gaze: AZ: 278° 9.313’ Alt: 90° 0.000’ from Pictures of Air, 1993
Dye destruction print, flush-mounted
63 7/10 × 47 4/5 in | 161.9 × 121.3 cm

Flying Crow Cloud (from 'Equivalents' series), 1993
tirage argentique
signé, titré, daté et numéroté '1/3' au crayon (marge); signé, titré, daté et numéroté '1/3' au crayon (verso)
image : 48,3 x 58 cm. (19 x 2278 in.)




Anatomy, after Francesco Bertinatti (Pictures of Junk)
digital chromogenic print
89 x 71 in. (226.1 x 180.3 cm.)

Wing of a Blue Roller, after Albrecht Dürer (Pictures of Magazines 2)








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