Max Beckmann
MAX BECKMANN (1884-1950)
___________________________
signed, dated and inscribed 'Beckmann 50 NY' (upper left)
oil on canvas
30 x 24 in. (76.3 x 61 cm.)
Painted in New York in 1950
VOR DEM BALL (ZWEI FRAUEN MIT KATZE)(BEFORE THE BALL - TWO WOMEN WITH A CAT)
signed Max Beckmann and dated NY 49 (upper left)
oil on canvas
142.5 by 89cm. 56 by 35in.
Souvenir of Chicago , 1948
Alter Swimmingpool (Frühlingslandschaft) (Old Swimming Pool (Spring Landscape))Signed Beckmann and dated St. L. 48 (lower left)
Oil on canvas
31 by 36 in.
78.7 by 91.5 cm
Liegender Akt in starker Verkürzung (Reclining Nude Sharply Foreshortened)Signed Beckmann and dated St. L. 48 (lower left)
Oil on canvas
29 3/8 by 21 1/4 in.
74.7 by 54 cm
Painted in St. Louis, Missouri in 1948
THE LAST DUTY OF PERSEUSsigned Beckmann, dated 48, inscribed Perseus. L. D.
(lower right) and titled (lower left)
pen and ink, ink wash, charcoal and pencil on paper
35.1 by 50.7cm., 13 3/4 by 20in
oil on canvas
27 5/8 x 20 in. (70.2 x 50.7 cm.)
Painted in 1947-1948
lithograph with extensive hand-colouring in watercolour, 1946, on stiff wove paper, signed in pencil, numbered 18/90, inscribed with the plate number I, one of probably only five impressions hand-coloured by the artist, from the edition of one hundred copies (ten were unnumbered and reserved for the artist), published by Curt Valentin, New York, 1946
Image 315 x 265 mm.
JUPITER UND JOKASTE (JUPITER AND JOCASTA)signed Max Beckmann and dated 46 (lower right)
watercolour, pen and ink and pencil on paper
32.6 by 50cm., 12 7/8 by 19 3/4 in.
Crawling Woman, 1946from the portfolio "Day and Dream"
indistinctly signed and dated 'Max Beckmann A 47' (upper right)
oil on canvas
21 5/8 x 8¾ in. (55 x 22.2 cm.)
Painted in Amsterdam in 1946
signed, dated and inscribed 'Beckmann A 44' (lower center)
oil on canvas
21¾ x 37½ in. (55.3 x 95.2 cm.)
painted in Amsterdam, 1944
(ELEPHANT AND CLOWN IN THE STABLE)signed Beckmann and dated A 44 (lower right)
oil on canvas
85 by 45cm., 33 1/2 by 17 3/4 in.
signed 'Beckmann' (lower right);
inscribed and dated by Quappi Beckmann '"das entkleidete café" 12.
Mai 1944' (on the reverse)
pen and India ink on paper
10 5/8 x 14 ½ in. (27.2 x 36.8 cm.)
Executed in Amsterdam on 12 May 1944
pen and India ink on paper
10 5/8 x 14 ½ in. (27.2 x 36.8 cm.)
Executed in Amsterdam on 12 May 1944
DAME MIT SPIEGEL (LADY WITH A MIRROR)signed Beckmann and dated A43 (lower left)
oil on canvas
100.5 by 70.5cm.
39 1/2 by 27 3/4 in.
signed, dated and inscribed 'Beckmann A.43' (lower right)
oil on canvas
33 5/8 x 17 5/8 in. (85.3 x 44.6 cm.)
Painted in Amsterdam in 1943
Möwen im Sturm (Seagulls in the Storm)signed Beckmann and dated A42 (upper right)
oil on canvas
70.3 by 50.4cm.
27 5/8 by 19 7/8 in.
Leave-taking , 1942
Oil on canvas. 95.5 x 56.5 cm
Carmen Thyssen Collection
dated 'Dezember 40' (lower left)
pen and black and brown ink on paper
8 1/8 x 7 in. (20.7 x 17.6 cm.)
Executed in December 1940
signed, dated and inscribed 'Beckmann P. 39' (lower right)
oil on canvas
31 3/4 x 23 1/2 in. (80.7 x 59.8 cm.)
Painted in Paris in 1939
oil on canvas
23 ¾ x 31 5/8 in. (60.2 x 80.2 cm.)
Painted in Amsterdam, 1938
Kinder des Zwielichts - Orkus (Children of the twilight - Orcus)signed Beckmann, dated 39 and inscribed T. (lower right)
oil on canvas
81 by 60cm., 31⅞ by 23⅝in.
signed and dated 'Beckmann A 40' (upper right)
oil on canvas
31 5/8 x 23 7/8 in. (80.4 x 60.5 cm.)
Painted in Amsterdam in 1938
oil on canvas
47 1/8 x 63 1/8 in. (119.7 x 160.4 cm.)
Painted in 1937-1938
Still life with Yellow Roses , 1937
Oil on canvas. 110.5 x 65.5 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Türkenbundlilien (Turk's Cap Lilies)signed Beckmann and dated A.37 (lower right)
oil on canvas
60 by 80cm. 23 5/8 by 31 1/2 in.
Self-Portrait , 1937
Nordseelandschaft I (Gewitter)North Sea I (Thunderstorm)Signed Beckmann and dated B. 37 (lower right)
Oil on canvas
22 by 27½ in. 56.5 by 71.5 cm
Strandszene (Beach scene)Signed Beckmann, dated 36 and inscribed für Anna Lehmbrukken
Souvenir (lower right)
Gouache and watercolor on paper
18 3/4 by 23 7/8 in.
47.6 by 60.7 cm
SELBSTBILDNIS MIT GLASKUGEL (SELF-PORTRAIT WITH CRYSTAL BALL)
Signed and dated Beckmann B.36 (lower right)
Oil on canvas
44 by 26 in.
110 by 65 cm
Detail , 1935
Self portrait with Black Cap , 1934
Der Frühstückstisch (blau)
Signed Max Beckmann and dated B 34 (upper left)
Oil on canvas
15 3/4 by 39 3/8 in.
40 by 100 cm
Grosser Steinbruch in Oberbayern (Large Quarry in Upper Bavaria)
signed and dated upper left: Beckmann / O.34
oil on canvas
canvas: 34 1/8 by 46 3/4 in. 86.7 by 118.7 cm
framed: 47 1/4 by 59 1/2 in. 120 by 151 cm
Painted in Ohlstadt in 1934.
Mädchen mit Hunden spielend (Girls playing with Dogs)Signed and dated Beckmann B 33 (lower right)
Oil on canvas
25 1/2 by 38 3/8 in.
64.8 by 97.5 cm
Quappi in Pink Jumper , 1932 - 1934
Oil on canvas. 105 x 73 cm
Paris Society , 1931
Künstler am Meer (Artists by the Sea)
signed Beckmann and dated F.30 (upper left)
oil on canvas
36.2 by 24.4cm., 14¼ by 9⅝in.
Painted in 1930.
pencil on paper
Image size: 10½ x 5½ in. (26.7 x 14 cm.)
Sheet size: 11 7/8 x 8¼ in. (30.1 x 21 cm.)
Drawn in 1928
Bathers , 1928
Female nude with dog , 1927
Schlafende am Strand (Quappi at the Beach)
indistinctly signed Beckmann and dated 27 (upper right)
oil on canvas
41 by 100.5cm. ， 16 1/8 by 39 1/2 in.
signed, dated and inscribed 'Beckmann F 27' (lower center)
oil on canvas
22 ¾ x 25 ¼ in. (57.6 x 64 cm.)
Painted in Frankfurt in June-July 1927
- Self-Portrait in Tuxedo , 1927
Portrait of Zeretelli , 1927
Stillleben mit Violetten Dahlien(Still-Life with Purple Dahlias)signed Beckmann and dated F 26 (lower right)
oil on canvas
70 by 34.5cm
27 1/2 by 13 1/2 in.
signed and dated 'Beckmann F. 25' (lower right)
oil on canvas
19 3/4 x 18 1/2 in. (50.2 x 47.2 cm.)
Painted in Frankfurt in 1926
Bildnis eines Türken (Portrait of a Turk)
signed and dated lower right: Beckmann / F 26
oil on canvas
canvas: 26 1/2 by 17 7/8 in. 67.3 by 45.4 cm
framed: 34 3/4 by 25 5/8 in. 88 by 65 cm
Painted in Frankfurt in 1926.
Carnival in Naples , 1925
Stilleben mit Grammophon und Schwertlilien
signed and dated 'Beckmann F 24' (lower left)
oil on canvas
45 1/8 x 21 5/8 in. (114.5 x 55 cm.)
Painted in Frankfurt in 1924
signed and dated 'Beckmann F 24' (lower left)
oil on canvas
45 1/8 x 21 5/8 in. (114.5 x 55 cm.)
Painted in Frankfurt in 1924
Self-Portrait with a CigaretteFrankfurt 1923
Stadtansicht mit Eisernem Steg
drypoint, 1923, on laid paper, watermark BSB, a fine, strong impression, signed in pencil, numbered 21/60, published by Paul Cassirer, 1924, with wide margins, the sheet slightly reduced, otherwise in good condition
Plate 215 x 280 mm.,
drypoint, 1923, on laid paper, watermark BSB, a fine, strong impression, signed in pencil, numbered 21/60, published by Paul Cassirer, 1924, with wide margins, the sheet slightly reduced, otherwise in good condition
Plate 215 x 280 mm.,
The Disillusioned I from Trip to Berlin 1922
Self-Portrait in the Hotel , 1922
Selbstbildnis
woodcut, on cream Japon paper, 1922,
woodcut, on cream Japon paper, 1922,
signed in pencil, from the edition of 75 proofs on Japon paper,
published by Verlag R. Piper, Munich
Image: 8⅝ x 6 (220 x 155 mm.)
Image: 8⅝ x 6 (220 x 155 mm.)
Totenhaus (Hofmaier 252)Image: 373 by 470mm; 14¾ by 18½in
Sheet: 532 by 682mm; 21 by 26 7/8 in
Woodcut, 1922
drypoint, 1921, on wove paper, signed in pencil, from unnumbered (as issued) edition of 125, published by Marées Gesellschaft, R. Piper & Co., Munich, 1922, with their blindstamp, the full sheet, pale time-staining around the image, otherwise in good condition, framed
Image: 210 x 306 mm.
1921 , Self- portrait with bucket hat
Carnival , 1920
Christmas , 1919
1919 , The Synagogue in Frankfurt am Main in 1919.
lithograph, on Japon paper, 1919, signed and titled in pencil, with wide margins, creasing in places (primarily in the margins), six tears in places at the sheet edges, tape remains in place on the reverse sheet edges (showing through), framed
Image: 26 ¾ x 19 ¼ in. (679 x 489 mm.)
Malepartus, from: Hölle
lithograph, 1919, on simili Japan paper, signed and titled in pencil, numbered 5/75, a fine, rich and slightly tonal impression, published by I. B. Neumann, Berlin, with margins, the sheet reduced on all sides, a pale moisture stain in the right margins, a short tear at the right sheet edge, some minor creases and handling marks in the margins, the subject in very good condition
L. 662 x 403 mm.
lithograph, 1919, on simili Japan paper, signed and titled in pencil, numbered 5/75, a fine, rich and slightly tonal impression, published by I. B. Neumann, Berlin, with margins, the sheet reduced on all sides, a pale moisture stain in the right margins, a short tear at the right sheet edge, some minor creases and handling marks in the margins, the subject in very good condition
L. 662 x 403 mm.
drypoint, 1919, on Zanders wove paper, signed in pencil, from the edition of approximately fifty impressions, published by I. B. Neumann, Berlin, 1920, a good impression with much burr, the full sheet, with tape stains at the corners recto and verso, otherwise in good condition
P. 175 x 235 mm., S. 345 x 440 mm.
Auferstehung (Resurrection) (H. 132)240 by 332 mm 9 3/8 by 13 in
sheet 370 by 450 mm 14 1/2 by 17 3/6 in
Drypoint, 1918
Landschaft mit ballon, from Gesichter
signed in pencil and inscribed Strasse (18)
drypoint on Japan paper
plate: 9¼ by 11⅜ in. 234 by 290 mm.
sheet: 13 by 14⅛ in. 329 by 360 mm.
Executed in 1918
drypoint, 1918, on laid paper, signed in pencil, inscribed Liebespaar (Probehanddruck) gehört mir, a hand-printed trial proof of the second, final state, a very good, tonal impression, before the portfolio edition of Gesichter of one hundered (forty on Japon and sixty on laid paper) published by the Marées Gesellschaft, Munich, this impression cited by Hofmaier as one of three known trial proofs of this state (he records only one proof of the first state), probably the full sheet, several short nicks and tears at the upper sheet edge at left, small foxmarks and minor surface dirt in the margins, otherwise in good condition
P. 218 x 257 mm., S. 380 x 523 mm.
drypoint, 1918, on laid Japon, signed in pencil, dated and inscribed Concertkaffee (18), an impression of the third, final state, from the edition of forty on this paper before steel-facing (there was also an edition of sixty on laid paper, after steel-facing), a good impression printing with a light tone and much burr, published by the Marées Gesellschaft, Munich, 1919, with their blindstamp, probably the full sheet, a deckle edge at right, generally in very good condition
P. 313 x 231 mm., S. 384 x 305 mm.
drypoint, 1918, on Japon, signed in pencil, an impression of the third, final state, from the unnumbered edition of forty impressions before steel-facing (there was also an edition of sixty after steel-facing, and a posthumous edition), a good impression printing with much burr, published by the Marées Gesellschaft, Munich, 1919, with their blindstamp, probably the full sheet, generally in very good condition
P. 255 x 302 mm.
drypoint, 1916, on Japon, signed in pencil, titled Mitternacht, an impression of the second state (of three), from the edition of forty before steelfacing (there was also an edition of sixty on laid paper, after steelfacing), published by the Marées Gesellschaft, Munich, 1919, with their blindstamp, probably the full sheet, a deckle edge at right and below, in very good condition
P. 239 x 178 mm., S. 300 x 32 mm.
drypoint, 1916, on simili Japan paper, signed in pencil, an impression of the third, final state, from the edition of forty on this paper (there were also ten impressions on Japon), published by Verlag Karl Lang, Darmstadt, 1920, probably the full sheet, a deckle edge at left, some minor creasing at the sheet edges, generally in good condition
P. 177 x 237 mm., S. 280 x 395 mm.
Lovers I (Liebespaar I) (Hofmaier 88)238 by 300 mm 9 3/8 by 11 13/16 in
Drypoint, 1916
Selbstbildnis mit Griffel, from Gesichter (Hofmaier 105)
signed in pencil
drypoint on laid paper
plate: 11¾ by 9½ in. 299 by 240 mm.
sheet: 17⅝ by 14½ in. 448 by 370 mm.
Executed circa 1916
drypoint, 1915, on wove paper, Hofmaier's second state (of 3), signed in pencil, annotated 'I. Zustand', one of 50 impressions from the edition of 1918, with full margins, generally in good condition, framed
P. 10 1/8 x 12½ in. (257 x 318 mm.)
declaration of war (hofmaier 78)200 by 249mm; 7 7/8 by 9¾in
Drypoint, 1914, signed and dated in pencil, from the edition of 50, inscribed Kriegserklärung, published by I. B. Neumann, Berlin, on laid paper with the watermark J.W. Zanders, with full margins, in good condition apart from very slight mount-staining and occasional fox marks
Declaration of War (H. 78 II.B.b.)
drypoint, 1914, on wove paper, signed in pencil, an impression of the second, final state, from the total edition of fifty on various papers, a good impression with much burr, published by I. B. Neumann, Berlin, 1918, with wide margins, a deckle edge below, the sheet slightly reduced at the sides, otherwise in good condition
P. 200 x 247 mm.
drypoint, 1914, on wove paper, signed in pencil, an impression of the second, final state, from the total edition of fifty on various papers, a good impression with much burr, published by I. B. Neumann, Berlin, 1918, with wide margins, a deckle edge below, the sheet slightly reduced at the sides, otherwise in good condition
P. 200 x 247 mm.
The Large Operation, from: Gesichter (H. 81 VI.B.a.)
drypoint, circa 1914, on Japon, signed in pencil, titled and dated Grosse Operation (1914), an impression of the sixth, final state, from the edition of forty before steelfacing (there was also an edition of sixty on laid paper, after steelfacing), published by the Marées Gesellschaft, Munich, 1919, with their blindstamp, probably the full sheet, a deckle edge at left, in very good condition
P. 297 x 440 mm., S. 370 x 512 mm.
drypoint, circa 1914, on Japon, signed in pencil, titled and dated Grosse Operation (1914), an impression of the sixth, final state, from the edition of forty before steelfacing (there was also an edition of sixty on laid paper, after steelfacing), published by the Marées Gesellschaft, Munich, 1919, with their blindstamp, probably the full sheet, a deckle edge at left, in very good condition
P. 297 x 440 mm., S. 370 x 512 mm.
Weeping Woman (H. 72 III.a.)
drypoint, 1914, on Zanders laid paper, signed and dated in pencil, an impression of the third, final state, from the total, unnumbered edition of fifty impressions on various papers, published by I. B. Neumann, Berlin, 1918, the full sheet, generally in very good condition; with At the Piano (H. 59 B.c.) by the same hand, etching, 1913, signed in pencil, the full sheet, in very good condition
P. 240 x 190 mm., S. 443 x 360 mm.
drypoint, 1914, on Zanders laid paper, signed and dated in pencil, an impression of the third, final state, from the total, unnumbered edition of fifty impressions on various papers, published by I. B. Neumann, Berlin, 1918, the full sheet, generally in very good condition; with At the Piano (H. 59 B.c.) by the same hand, etching, 1913, signed in pencil, the full sheet, in very good condition
P. 240 x 190 mm., S. 443 x 360 mm.
Double Portrait of Max Beckmann and Minna Beckmann-Tube (1909)
oil on canvas
19¾ x 23¾ in. (50.2 x 60.3 cm.)
Painted in 1909
Self-Portrait with Raised Hand , 1908
Oil on canvas. 55 x 45 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Small Death Scene by Max Beckmann, 1906
Die Walküre (The Valkyrie)Oil on canvas
42 7/8 by 31 1/8 in.
109 by 79 cm
Brandung, Kleine Marine (Breakers, small Marine)oil on canvas
48.9 by 55.5cm., 19 by 21 7/8 in.
Backbend (Acrobat)bronze
length: 32.4 cm., 12 3/4 in.
Reclining figure (H. 232.B.a)drypoint
plate: 288 by 525 mm 11 3/8 by 20 5/8 in
Frau in der Nacht (H. 175.B.b)Drypoint
plate: 245 by 320 mm 9 5/8 by 12 5/8 in
Claridge IIOil on canvas
35 1/2 by 17 3/4 in.
90 by 45 cm
FRAU IM BETT (WOMAN IN BED)oil on canvas
40 by 80cm.
15 3/4 by 31 1/2 in.
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