GEORGE WESLEY BELLOWS (AMERICAN, 1882-1925)

 GEORGE WESLEY BELLOWS 

(AMERICAN, 1882-1925)

——————————————————

Paradise Point
signed 'Geo Bellows' (lower right)—signed again and inscribed with title (on the stretcher)
oil on canvas
20 x 24 in. (50.8 x 60.9 cm.)
Painted in 1919.


Portrait of Mrs. Walter Richter
signed 'Geo Bellows' (lower right)
oil on canvas
40 x 32 in. (101.6 x 81.3 cm.)


Mill Dam
oil on canvas
16 5/8 x 24 in. (42.2 x 61 cm.)
Painted in 1924.


Deserted Factory
bears inscription 'Geo. Bellows/ESB' (lower left)
oil on panel
16 ½ x 24 in. (41.9 x 61 cm.)
Painted in 1924.


Dempsey and Firpolithograph, on Basingwerk Parchment paper, 1923-1924, signed and titled in pencil, also signed and inscribed 'Bolton Brown imp.' in pencil, from the edition of 103, with wide margins, in generally good condition, framedImage: 18 x 2238in. (459 x 568 mm.)


Dempsey through the Ropes
lithograph, on Basingwerk parchment paper, 1923-1924, signed and titled in pencil, inscribed 'Bolton Brown. imp.' by the printer, the edition was 30, with margins, framed
Image: 17 7⁄8 x 16 ½ in. (454 x 419 mm.)


Billy Sunday (M. 143) 
lithograph, 1923, on Chine, signed and titled in pencil, annotated 'Bolton Brown-imp.', from the edition of 60, with full margins, a ¼-in. tear at the upper center sheet edge, occasional soft handling creases in the margins, otherwise in good condition
L. 9 x 16 1/8 in. (226 x 411 mm.)
S. 15¾ x 22 in. (400 x 559 mm.)


River-Front (M. 168) 
lithograph, 1923-24, on Basinowerk Parchment, a rich, tonal impression, signed and titled in pencil, annotated 'Bolton Brown-imp.' (the edition was 51), with full margins, the palest light-staining, a short tear at the lower left sheet edge, otherwise in very good condition, framed
L. 15 x 20 7/8 in. (380 x 532 mm.)
S. 17¾ x 22½ in. (451 x 572 mm.)


The Crowd (M. 162) 
lithograph, 1923, on wove paper, the second (final) state, signed and titled in pencil, annotated 'Bolton Brown, imp.', from the edition of 18, with full margins, pale light- and mat staining, a few unobtrusive stains in the margins, otherwise in good condition, framed
L. 14¾ x 11 7/8 in. (375 x 302 mm.)
S. 18 1/8 x 16½ in. (460 x 419 mm.)


Plaid Shawl (M. 140) 
lithograph, 1923, on wove paper, signed and titled in pencil, annotated 'Bolton Brown- imp.', from the edition of 31, with wide margins, generally in very good condition
L. 13 3/8 x 9 5/8 in. (340 x 245 mm.)
S. 20 x 16 1/8 in. (508 x 410 mm.)


Bellows, G.W.Mountain Farm
signed 'Geo Bellows' and inscribed with title (on the reverse)
oil on board20 x 24 in. (50.8 x 61 cm.)
Painted in 1922.


Stuart Jones' Barn
signed 'Geo Bellows.' (lower center)—signed again and inscribed with title 'Stuart Jones Barn' (on the reverse)
oil on board
20 x 24 in. (50.8 x 61 cm.)
Painted in 1922.


Three prints by the artist 
Including: My Family, First Stone (illustrated), lithograph, 1921, signed 'Geo Bellows E.S.B.' and titled in pencil (presumably by the artist's wife); Plaid Shawl, lithograph, 1923, signed, titled and annotated 'Bolton Brown imp.' in pencil; and Arrangement, Emma in a Room, lithograph, 1921, signed and annotated 'Bolton Brown imp.' in pencil
Largest Image: 13 3/8 x 9¾ in. (340 x 248 mm.)


Legs of the Sea
lithograph, on thin Japon paper, 1921, signed and titled in pencil, inscribed 'Bolton Brown-imp.' by the printer, from the edition of 53, with margins, framed
Image: 8 5⁄8 x 10 ¾ in. (219 × 273 mm.)
Sheet: 9 5⁄8 x 12 1⁄8 in. (244 × 308 mm.)


The Hold-up (M. 89) 
lithograph, 1921, on Chine vollant, signed in pencil, annotated 'Bolton Brown-imp', from the edition of 29, with full margins, hinged in two places at the upper sheet edge on the reverse (slightly showing through), otherwise in very good condition; together with The Law is too slow (M. 147), lithograph, 1923, signed and titled in pencil, annotated 'Bolton Brown-Imp', from the edition of 26
L. 11 x 8½ in. (275 x 217 mm.)
S. 13 x 10½ in. (330 x 265 mm.) 


Introducing Georges Carpentier
lithograph, on Japon paper, 1921, signed by the artsit, titled and inscribed 'Bolton Brown - imp' by the master printer in pencil
Image: 1412 x 21 in. (369 x 531 mm.)


Introductions
lithograph, on laid Chine paper, 1921, signed in pencil, also signed and inscribed by the printer 'Bolton Brown, imp.' in pencil, from the edition of 57, with margins, framed
Image: 812 x 7 in. (218 x 177 mm.)
Sheet: 10 x 838 in. (254 x 213 mm.)


The White Hope
lithograph, on Chine, 1921, signed posthumoulsy by the artist's wife 'Geo. Bellows E.S.B.' and by his master printer 'Bolton Brown imp' in pencil, from the edition of 50
Image: 15 x 19 in. (380 x 480 mm.)


Counted Out, First Stone
lithograph, on laid Chine paper, 1921, signed and titled in pencil, annotated 'Bolton Brown, imp.' in pencil, from the edition of 11, with margins, framed
Image: 1238 x 1118 in. (316 x 285 mm.)
Sheet: 1334 x 1238 in. (349 x 314 mm.)


Counted Out, Second Stone
lithograph, on Japon paper, 1921, signed and titled in pencil, also signed and inscribed by the printer 'Bolton Brown, imp.' in pencil, from the edition of 40, with margins, framed
Image: 1514 x 1112 in. (391 x 292 mm.)
Sheet: 17 x 1318 in. (432 x 333 mm.)


Tennis (Tennis Tournament)
lithograph, circa 1921, on Chine paper, signed and titled in pencil, annotated 'Bolton Brown imp.', numbered '6' (the edition was approximately 63), laid down, trimmed unevenly, with margins; together with The Tournament (Tennis at Newport), lithograph, circa 1921; each framed
Image: 18 3/8 x 20 in. (467 x 508 mm.)
Sheet: 20 x 21 3/8 in. (508 x 543 mm.)


The Tournament (Tennis at Newport) (M. 72) 
lithograph, circa 1921, on Chine, signed and titled in pencil, annotated 'Bolton Brown-imp.', from the edition of 63, with full margins, unobtrusive surface soiling and soft scuffing in the margins, otherwise in very good condition
L. 14¾ x 18 1/8 in. (375 x 460 mm.)
S. 20½ x 24¼ in. (521 x 616 mm.)


Old Billiard Player
lithograph, on Japon paper, 1921, signed in pencil, also signed and inscribed by the printer 'Bolton Brown-imp.' in pencil, from the edition of 43, with margins, in good condition, framed
Image: 9 x 712 in. (229 x 189 mm.)
Sheet: 1014 x 834 in. (260 x 222 mm.)


Arrangement, Emma in a Room (M. 112) 
lithograph, 1921, on Chine, signed in pencil, annotated 'Bolton Brown- imp.', from the edition of 43, with wide margins, the palest light-staining, otherwise in very good condition
L. 9¼ x 7¼ in. (235 x 184 mm.)
S. 11 1/8 x 9 3/8 in. (283 x 239 mm.)


Old Barn, Grey Day
signed 'Geo Bellows.' (lower right)
oil on panel
18 x 22 in. (45.7 x 55.9 cm.)
Painted in 1920.


Rock Ridge Farm
signed 'Geo Bellows' (lower left)--signed again and inscribed with title (on the stretcher)
oil on canvas
16½ x 24 in. (41.9 x 61 cm.)
Painted in 1919.


Tennis at Newport
signed 'Geo. Bellows' (lower right)
pencil and crayon on paper
image, 18 ¼ x 20 in. (46.4 x 50.8 cm.);
sheet, 19 x 24 in. (48.3 x 61 cm.)
Executed circa 1918.


Murder of Edith Cavell
lithograph, on thin wove paper, 1918, signed and titled in pencil, numbered 'no. 57' (the edition was 99)

Image: 18 ¾ x 24 ½ in. (476 x 622 mm.)
Sheet: 20 x 25 7/8 in. (508 x 657 mm.)


Sniped
lithograph, on Chine laid to wove paper (as is common), 1918, inscribed 'Geo. Bellows J.B.B.' in pencil by Jean Bellows Booth, numbered 'No. 39' (from the edition of possibly 50), with margins, framed
Image: 9 x 1114 in. (229 x 286 mm.)
Sheet: 1018 x 1234 in. (257 x 324 mm.)


The Life Class, Second Stone (M. 43) 
lithograph, 1917, on Japon, signed and titled in pencil, numbered 'No 12' (from the edition of 49), with wide margins, a few pale foxmarks in the margins, minor time staining and soft creasing at the sheet edges, otherwise in good condition
L. 13 7/8 x 19¾ in. (352 x 502 mm.)
S. 19 x 25½ in. (483 x 648 mm.)


The Street (M. 47) 
lithograph, 1917, on laid paper, signed and titled in pencil, numbered 'No. 54' (from the edition of 54), with wide margins, soft creasing throughout, two 1/8-in. foxmarks, scattered pale foxing (primarily visible in the margins), hinge remains in places at the upper and lower sheet edges, surface soiling in the margins, otherwise in good condition
L. 19 1/8 x 15 3/8 in. (486 x 391 mm.)
S. 25¾ x 18 7/8 in. (654 x 479 mm.)


lithograph
1917
on tissue-thin Japan paper
signed and titled in pencil
numbered 'No. 60', from the edition of 98
Image: 18 5⁄8 x 23 7⁄8 in. (473 x 606 mm.)


Shower-Bath, First State (M. 45) 
lithograph, 1917, on wove paper, signed 'Geo. Bellows E.S.B.' and titled in pencil (presumably by the artist's wife), numbered 'No 2' (from the edition of 36), with wide margins, light- and mat staining, otherwise generally in good condition, framed
L. 15 7/8 x 23¾ in. (403 x 603 mm.)
S. 22 x 31 3/8 in. (559 x 797 mm.)



Anne with a Japanese Parasol (1917)



My Family (1916)


Shipyard, Camden, Maine 
bears inscription 'Geo. Bellows/E.S.B.' (lower left) 
conté crayon on paper 
7 x 6 in. (17.8 x 15.2 cm.), image; 7½ x 6½ in. (19.1 x 16.5 cm.), sheet
Executed circa 1916.


Introducing John L. Sullivan
lithograph, on wove paper, 1916, signed and titled in pencil, from the edition of 54, with margins, framed
Image: 2058 x 2058 in. (524 x 524 mm.) 
Sheet: 2614 x 2334 in. (667 x 591 mm.)


Reducing, Large, Second Stone
lithograph, on cream Japon paper, 1916, signed and titled in pencil, numbered 'No 58' (from the edition of 58)
Image: 1734 in x 1658 in. (451 x 422 mm.)
Sheet: 24 in. x 22 in. (610 x 559 mm.)


Splinter Beach (M. 28) 
lithograph, 1916, on Chine, signed and titled in pencil, numbered 'No 13', (from the edition of 70), with full margins, generally in very good condition, framed
L. 15 x 19¾ in. (381 x 503 mm.)
S. 16 5/8 x 20 7/8 in. (423 x 530 mm.)


Preliminaries (Preliminaries to the Big Bout) (Mason 24) 
lithograph, 1916, on Chine, signed and titled in pencil, numbered 'No. 50' (the edition was 67), a fine, rich impression, with full margins, the palest light-staining, a foxmark at lower left (at the man's ear) and another at the center right (in the woman's hat), a soft crease through the lower image mainly visible in raking light (extending slightly into the margins), otherwise in very good condition, framed
L. 15 7/8 x 19 5/8 in. (403 x 499 mm.)


Splinter Beach (Mason 28) 
lithograph, 1916, on Chine, signed and titled in pencil, annotated 'No 13' from the edition of 70, with full margins, in very good condition
L. 14 7/8 x 19 5/8 in. (378 x 499 mm.)


Business-Men's Class
lithograph, on laid tissue-thin Japon paper, 1916, signed and titled in pencil, numbered 'No. 48', from the edition of 64, with wide margins, framed
Image: 1158 x 1718 in. (293 x 438 mm.)


Artists' Evening (at Petitpas')
lithograph, 1916, on Strathmore drawing board, signed and titled in pencil, numbered 'No 8', from the edition of 65, generally in very good condition, framed
Image: 8¾ x 12¼ in. (223 x 311 mm.)
Sheet: 19¼ x 25 in. (489 x 635 mm.)


Artists Judging Works of Art (Mason 18) 
lithograph, 1916, on Japon, signed and titled in pencil, numbered 'No 52' (from the edition of 52), with margins, occasional pale foxmarks in the margins, minor creasing and surface soiling in the margins, otherwise in good condition
L. 14¾ x 19 1/8 in. (375 x 486 mm.)
S. 18 7/8 x 25 7/8 in. (479 x 657 mm.)


In the Park, Light
lithograph, on thin Japon paper, 1916, signed and titled in pencil, numbered 'No 5' from the edition of 59, with margins, framed
Image: 16 x 2114 in. (406 x 540 mm.)
Sheet: 1934 x 2614 in. (502 x 667 mm.)


Susan Comfort
signed 'Geo Bellows' (lower right)
oil on canvas
22 x 18 in. (55.9 x 45.7 cm.)
Painted in 1916.


Evening Blue (Tending the Lobster Traps. Early morning)
bears inscription 'Geo. Bellows/E.S.B.' (lower left)
oil on panel
18 x 22 in. (45.7 x 55.9 cm.)
Painted in 1916.


Village on the Hill 
oil on canvas 
22½ x 28½ in. (55.9 x 72.4 cm.) 
Painted in 1916.


Between Rounds, Small, Second stone (M. 144) 
drypoint, 1923, on Chine, inscribed with the artist's name and title in pencil by his wife, annotated 'Bolton Brown-Imp.', from the edition of 42, with margins, in very good condition
L. 18¼ x 14¾ in. (464 x 375 mm.)
S. 19 5/8 x 16 in. (499 x 406 mm.)


Between Rounds, Large, First Stone
lithograph, on wove paper, 1916, also signed and inscribed 'Geo. Bellows J.B.B.' in pencil by Jean Bellows Booth, numbered 'no 33', from the edition of 58, with full margins, in very good condition, framed
Sheet: 2034 x 1612 in. (527 x 419 mm.)


Easter Snow

signed Geo Bellows (lower left)

oil on canvas

34 by 43 ¾ in.

86.4 by 111 cm.

Executed in New York in April 1915.



Florence Davey (1914)


The Dock
signed 'Geo Bellows' (lower right)--signed again and inscribed with title (on the reverse)
oil on panel
15 x 19 ½ in. (38.1 x 49.5 cm.)
Painted in 1913.


Splinter Beach signed 'Geo Bellows-' (upper left)--inscribed with title (in the margin)crayon, ink and crayon wash over transfer lithograph 17¼ x 22¾ in. (43.2 x 57.8 cm.), image; 21½ x 28 in. (54.6 x 71.1 cm.), sheetExecuted in 1913.


Sunlit Surf
signed 'Geo Bellows.' (lower center)—signed again and inscribed with title (on the reverse)
oil on board
15 x 19 ½ in. (38.1 x 49.5 cm.)
Painted in 1913.


Rock Bound
signed 'Geo Bellows.' (lower left)
oil on panel
18 x 22 in. (45.7 x 55.9 cm.)
Painted in 1913.


Sun Glow 
signed 'Geo Bellows.' (lower left)--signed again, inscribed with title and inscribed 'RO YG BPR, 146 E. 19 NY, p 220' (on the reverse)
oil on panel 
15 x 19½ in. (38.1 x 49.6 cm.) 
Painted in 1913.


Tumble of Waters
signed 'Geo Bellows' (lower right)
oil on panel
15 x 19 ½ in. (38.1 x 49.5 cm.)
Painted in 1913.


Through the Trees, Monhegan Island, Maine
signed 'Geo Bellows.' (lower left)
oil on panel
15 x 19 1⁄2 in. (38.1 x 49.5 cm.)
Painted in 1913.


The Cliff Dwellers,1913


Hold 'Em 
signed 'Geo Bellows.' (upper right)--signed again 'Bellows' (lower right)
India ink and crayon on assembled paper 
22¼ x 21 in. (56.5 x 53.3 cm.) 
Executed in August 1912.


Rocks and Coast
inscribed 'No. 10/Mon' (on the reverse)
oil on panel
7 7/8 x 9 7/8 in. (20.1 x 25.1 cm.)
Painted in 1911.


Evening Swell 
bears inscription 'Geo. Bellows/E.S.B' (lower left) 
oil on canvas 
30 x 38 in. (76.2 x 96.5 cm.) 
Painted in 1911.



New York 1911



The Lone Tenement (1909)



Forty-two Kids, 1907


Portrait of a Laughing Boy 
signed 'Geo Bellows.' (upper left) 
oil on canvas 
24 x 18¼ in. (61 x 46.4 cm.) 
Painted in 1907.



Club Night (1907)


Basketball 
signed 'Geo. Bellows-' (lower right) 
Conté crayon, ink and sepia wash on paper 
13½ x 17 in. (34.3 x 43.2 cm.) 
Executed in 1906.


Robin, Portrait of Clifton Webb
signed and inscribed with title 'Robin/Geo Bellows' (upper left)
oil on canvas
44 ¼ x 30 in. (112.4 x 76.2 cm.)
Painted in 1905.


Seated Nude 
signed 'George W. Bellows' and inscribed indistinctly (lower right) 
pencil on paper 
10¼ x 12½ in. (26 x 31.8 cm.)


Sunday Going to Church (M. 73) 
lithograph, 1897, on Chine volant, signed in pencil, from the edition of 54, with full margins, minor irregularities to the fibers and the sheet edges (inherent to the paper), two unobtrusive areas of thinning in the blacks visible primarily from the reverse, a minor printing crease at lower left edge measuring 1½ inches (slightly into the image), hinged to the mat at upper left and upper right corners with slight associated staining, otherwise in very good condition
L. 12 1/8 x 15 in. (308 x 381 mm.)
S. 14 1/8 x 17 in. (384 x 432 mm.)


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